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Every time there is an almost maudlin moment of tenderness the duo further hammer the nail in their coffin–that is until Nathan’s next National Lampoon movie (2008’s Bag Boy).Welcome to Indrani Sen popular song application. Their combined work is uneven unlike ever before–even for a movie that needn’t worry about production blunders because of its fan base. The director and writer together though are a veritable calamity and the movie’s lone joke. He steals the playbook from movies like Revenge of the Nerds and Old School but truly cannot manage a single genuine laugh. The hopefully ashamed writer freshman David Drew Gallagher is also in need of a serious hazing after this effort.
Nathan’s only other movie the Cuba Gooding career-ender Boat Trip will follow him around wherever he may descend but his latest offering just barely tops that one. Mercy is reserved for directors who actually try for something different but wind up failing miserably then there’s Taj’s Mort Nathan who literally tries to be the same (as college comedies of years past)–but winds up failing miserably. Where to begin on a movie’s flaws that are so vast they’re like grains of sand on a beach. But sometimes a National Lampoon movie is the best vehicle for a beautiful young actress to break through into the mainstream. The incredibly beautiful Cohan who had a small part in Casanova shows some promise not to mention far too much class for this movie.
Penn still remains the only reason to watch the movie aside from occasional breast flashes (courtesy of a curvaceous Holly Davidson Sadie Frost’s sister) and he should keep the predominantly immature contingency satisfied. His talent is visible and audible in Taj but so at times is his empty soul like when you can occasionally hear the nuances in his faux-Indian accent. He has sold his soul for a few million bucks and to stoner frat-dude fans thanks to the Van Wilder movies and Harold and Kumar Go to White Castle and its planned 2008 sequel but he has a true thespian’s pedigree. His future is rich with bigger and better roles (especially March’s The Namesake his first dramatic lead). Despite his best efforts to prove otherwise Kal Penn is a talented actor’s actor. He’s relegated to “The Barn ” the campus loser dwelling and vows to turn its misfits into winners so he can not only get back at Pipp but also to steal his girlfriend Charlotte ( Lauren Cohan). He arrives on campus thinking he’s been accepted to an elite fraternity only to be derisively turned down by uptight and arrogant Pipp ( Daniel Percival). Taj Mahal Badalandabad ( Kal Penn) has moved on from being Van’s beleaguered bumbling assistant and is now off to England’s prestigious Camford University to continue his education. Ah but the title of the latest National Lampoon installment is still the movie’s most intelligible facet.
National Lampoon’s Van Wilder: The Rise of Taj shares something in common with another recent equally unnecessary sequel Big Momma’s House 2: Its title is an absolute misnomer since Van Wilder ( Ryan Reynolds) is nowhere to be seen in his own sequel–just like Big Momma’s house in its sequel.
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